By James Horton
Similar to different books released through Dorling Kindersley, this one is profusely illustrated by way of closely-spaced drawings and images that nearly crowd out textual content. it is a brief e-book, at seventy two pages, however it covers, although in brief, artists' fabrics utilized in drawing, in addition to loads of drawing innovations and topics.
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Extra resources for An Introduction to Drawing
As we will see, what remains important for aesthetic reflection is that, in spite of everything, Freud himself foregrounds the importance of the constitution of sensibility in sensuality, because what characterizes ‘‘fore-pleasure’’ [plaisir pre´liminaire] can be designated as sensuality, if by this word one understands a sensibility that pleasures itself [jouit d’elle-meˆme] and is not content with providing sensorial information. Aesthetic pleasure is nothing other than sensuality communicating 46 .................
Demarcates with surprise, with fear, and with the desire to give them more visibly the mysterious feature he finds in them. Sometimes, like Leonardo da Vinci, man looks at the stones and the walls, recognizes in them spots that are figures, that appear through slight modification. Sometimes he lets his dirty fingers drag along the surface of the rocks—or on himself—and these traces please him, and the mud is already color. ’’ —Maurice Blanchot, Friendship ‘‘Drawing extends the act of the hand, and with it the wrist, the forearm, the gaze, and finally the whole body.
To each line must correspond another line that balances it just as one grasps it, possessing it with two hands. ’’ —Stendhal, The Italian Schools of Painting ‘‘Just as my pleasure is born of affection, so is affection born of beauty. Thus it may still be said that beauty is the cause of my pleasure . . the love that springs from the outward bodily beauty that we see will doubtless give far greater pleasure to him who appreciates it more than to him who appreciates it less. This is why I think Apelles took far greater pleasure in contemplating 18 .................
An Introduction to Drawing by James Horton