By Linda Ben-Zvi, Angela Moorjani
The 12 months 2006 marked the centenary of the start of Nobel-Prize profitable playwright and novelist Samuel Beckett. To commemorate the social gathering, this assortment brings jointly twenty-three prime overseas Beckett students from ten international locations, who tackle the centenary problem of "revolving it all": that's, going "back to Beckett"-the name of an prior examine via critic Ruby Cohn, to whom the e-book is dedicated-in order to reconsider conventional readings and theories; supply new contexts and institutions; and re-evaluate his influence at the sleek mind's eye and legacy to destiny generations. those unique essays, such a lot first awarded by way of the Samuel Beckett operating staff on the Dublin centenary party, are divided into 3 sections: (1) considering via Beckett, (2) transferring views, and (3) Echoing Beckett. As again and again in his canon, photos precede phrases. The e-book opens with stills from movies of experimental filmmaker Peter Gidal and unpublished excerpts from Beckett's 1936-37 German trip Diaries, awarded by means of Beckett biographer James Knowlson, with permission from the Beckett property. popular director and theatre theoretician Herbert Blau follows along with his own Beckett "thinking through." Others partially I discover Beckett and philosophy (Abbott), the impacts of Bergson (Gontarski) and Leibniz (Mori), Beckett and autobiography (Locatelli), and Agamben on post-Holocaust testimony (Jones). Essays partly II recontextualize Beckett's works relating to iconography (Moorjani), movie theoretician Rudolf Arnheim (Engelberts), Marshall McLuhan (Ben-Zvi), exilic writing (McMullan), Pierre Bourdieu's literary box (Siess), romanticism (Brater), social theorists Adorno and Horkheimer (Degani-Raz), and function matters (Rodr?guez-Gago). half III relates Beckett's writing to that of Yeats (Okamuro), Paul Auster (Campbell), Caryl Churchill (Diamond), William Saroyan (Bryden), Minoru Betsuyaku and Harold Pinter (Tanaka) and Morton Feldman and Jasper Johns (Laws). eventually, Beckett himself turns into a personality in different playwrights' works (Zeifman). Taken jointly those essays make a transparent case for the demanding situations and rewards of pondering via Beckett in his moment century.
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Additional info for Beckett at 100: Revolving It All
To have suﬀered under that miserable light, what a blunder” (Text ). But with Beckett you never know, for in all “times and tenses,” he’s surely blundered worse, like giving himself up “for dead all over the place,” only to ﬁnd that there’s “nothing like breathing your last to put new life Apnea and True Illusion 45 in you”—with, of course, the mutterings undiminished, “the same old stories, the same old questions and answers” (Text –), but the same plus one, and therefore not the Same—as Nietzsche declared, speaking of beauty, strength, intelligence, about the Eternal Return.
GD, Feb. . GD, Feb. . GD, Feb. . GD, Feb. . GD, Feb. . GD, Feb. . GD, Feb. . GD, Feb. . GD, Feb. . Colin Duckworth, Angels of Darkness: Dramatic Eﬀect in Beckett and Ionesco (London: Allen ) . . GD, Feb. . GD, Feb. . All these quotations are from GD, Feb. . GD, Feb. . GD, Feb. . GD, Feb. ). . GD, Feb. . ). . GD, Feb. . Samuel Beckett, Malone Dies (London, Calder, ) . . GD, Feb.
Samuel Beckett, Stirrings Still, illus. Louis le Brocquy (New York: Blue Moon, ) no pagination. . GD, Feb. . GD, Feb. . James Knowlson, “Beckett’s First Encounters with Modern German (and Irish) Art,” Samuel Beckett: A Passion for Painting, ed. Fionnuala Croke (Dublin: National Gallery of Ireland, ) –. . GD, Feb. . ). Beckett the Tourist 31 This page intentionally left blank Part I THINKING THROUGH BECKETT This page intentionally left blank Apnea and True Illusion Breath(less) in Beckett HERBERT BLAU Astride of a grave and a diﬃcult birth.
Beckett at 100: Revolving It All by Linda Ben-Zvi, Angela Moorjani